Author Archives: Teri Berry

Blending dyes on wool

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This week I have been doing quite a lot of dyeing so thought I would share one of my favourite techniques with you. I use this technique to blend colours on wool when I want a gradual change of colour or to mix colours on the felt itself. It involves finger painting so is a lot of fun too 🙂

For this technique you will need:
Pieces of prefelt or finished felt (the method below was for 100g of felt)
washing up liquid
acid fast dyes
white vinegar or citric acid
measuring jug and scales
cling film
latex or rubber gloves
pots for mixing dyes in (old jam / chutney jars are good)
disposable pipettes or syringes
steamer (or microwave)

Method:

  • Soak your prefelt in a sink / bucket of 2L water, 0.5 cup of vinegar or 5g citric acid and, a generous splash of washing up liquid, making sure it is well saturated. If you live in a hard water area you can also add 1g of calgon to this soak.
  • Lay out some cling film, overlapping the pieces if necessary to make it big enough to lay out your felt.
  • Squeeze about half the water out of your felt (it should still feel heavy with water and be dripping but water should not be running out the bottom of the felt)
  • Lay your felt flat on the clingfilm.
  • I mix 1g of dye to 10 ml of water but you could easily use half as much dye if want paler colours. I apply my dyes with those 3 ml disposable pipettes but syringes work well too or you could just pour the dye on in the pattern you desire.
  • You can add a second or third colour now to make colour blending easier but I have applied 1 colour at a time to show how they spread.
  • After applying the first colour use your gloved fingers to spread the dye around (the washing up liquid in your bath will really help with this). If it is difficult to move the dye your felt is probably not wet enough, carefully pour some water from your soaking bath onto the felt and try again.
  • Then add your second colour (I used yellow but it looks very orange in this photo).
  • And blend with your fingers again. Continue adding colours and blending until you are happy with the design.

  • Carefully roll the felt up in the cling film
  •  And twist the ends shut or wrap in another piece of cling film to stop steam getting into your parcel.
  • I like to put mine in a zip lock bag too (very “belts and braces”!)
  • Then steam for 45 min to an hour before rinsing under running water.

Natural Wool Colours

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This week I have been a good girl (mostly) trying to catch up on my City and Guilds work, there’s been some dyeing of wools and animal fibres and using natural fibre colours. It’s very easy to overlook all the lovely browns, creams and greys that wool naturally comes in when confronted by the vast array of juicy, commercially dyed wools that are so readily available but I hope I can convince you to at least take a second look at the natural colours too….

For the current series of C&G assignments I have been using bone micrographs as my starting point and this piece was no exception. I found this photo on the Microlab Gallery and used it for inspiration. This is a piece of fossilised dinosaur bone as seen under the microscope.

Here are the fibres wetted out ready for rolling, I even used some of my hand-spun Jacob wool for drawing lines (my spinning is still a bit erratic but is getting better and I like the thick and thin effect in this painting).

And the finished piece.

I really like this piece, it is quite heavily textured and I’m finding hard not to stroke it whenever I wander past. I think it looks lonely and needs some companions, so will have to make a few more ;o)

For a related assignment we were also asked to make a piece from just white fibres with the intention of dyeing it so that the different design elements would be revealed as not all fibres accept the dye at the same rate. Here is the piece laid out, ready to be wetted out and rolled:

And before dyeing (not very inspiring!):

And after dyeing:

I’m a little disappointed with this piece, I’m glad I incorporated some vegetable fibre (igneo corn top) which does not accept the acid-fast dyes, the corn top is the only element that has provided a reasonable amount of contrast. All the wools, silks, mohair and alpaca seem to have accepted the dye fairly evenly so the changes in colour are rather subtle. The different textures are nice though. I am tempted to add some embroidery to make it more interesting…..