Author Archives: Teri

Free Video Tutorials!

Covid has had a negative impact on so many areas of our lives but the joy of human ingenuity means that the solutions we find to these unwelcome problems can lead to some unanticipated benefits.

Normally the International Feltmakers Association (IFA) holds their AGM as an “in person” meeting in the second quarter of the year. This year I was very much looking forward to spending a few days with lovely, like-minded fibre enthusiasts at Felletin in France, the workshops organised by the IFA are always excellent and you are guaranteed to make new friends at the social events.

Then Covid raised its ugly head and a plan B was needed….

This year, for the first time, the IFA has commissioned a series of free videos, for their members’ exclusive viewing, from four internationally renowned feltmakers. We will have opportunity to “meet” them live during the AGM weekend in advance of the video launch on YouTube.  

If you are not already a member I can thoroughly recommend taking out membership, especially if you are based in the UK, as membership includes free Public Liability Insurance among other benefits. This link will take you a page detailing more of the benefits of membership and at the bottom is a button where you can sign up.

Below is an outline of the 4 tutors taking part, their bios and what they plan to share. The AGM will be over the weekend of 27/28th March 2021.

Nancy Ballesteros 

Nancy lives in Australia and is artistic director and founder of Treetops Colour Harmonies. For over thirty years she has immersed herself in the science and study of wool, felting and colour theory. As an international tutor, she specialises in Nuno felt techniques and her recent focus is applying Fibonacci’s Design principles to feltmaking. 

How Fibonaccis Design Principals can help Reconnect your Creativity

There is a Natural Rhythm in things we consider beautiful. Leonardo Fibonacci, a 13th century Mathematician wrote about it, Leonardo Da Vinci used it when he painted Mona Lisa.  The Golden Ratio, Fibonacci’s numbers… how could this help your creativity? 

Nancy’s video will explore simple, practical ways to apply this powerful design principle to your felting and no maths is required! 

www.treetopscolours.com.au 

Nicola Brown 

Three words describe my textile practice: simple, natural, crafted. 

Since my introduction to felt and eco printing I’ve been on an exciting journey of discovery. Over time the sustainability of my work and teaching has deepened leading to new connections online and in person with like-minded individuals. The advent of Covid-19 means that keeping safe, staying local and living in harmony with the environment has never been more important. 

For ReConnect I will share a series of 3 videos: where this journey began, an introduction to eco printing and an eco print/natural dye tutorial using locally sourced vegetation. 

Fiona Duthie  

Fiona Duthie is a Canadian feltmaker recognised for her dynamic, sculptural clothing and artwork. Fiona strives for excellence in design and technique, while furthering the medium of felt through the use of new material combinations. 

Creative Sparks looks at reconnecting with simple techniques and familiar materials in a playful and exploratory way. Perfect for uplifting us out of a creative slump, or to refresh our existing design process. We explore sixteen creative prompts while making a beautiful, harmonious set of felt tiles. Each prompt can be taken beyond this project and used to add creative sparks to any felt project. 

www.fionaduthie.com 

Judit Pócs 

Spatiality, Material Use, Recycling 

I’m a Hungarian felt artist, who experiments a lot to develop felt in 3D and to achieve new, interesting surfaces. 

It has always been a challenge for me to see how felt can be transcendent, whether stone-like or metallic. I find it very exciting when a particular substance goes beyond itself. When designing a surface, I usually push these boundaries. 

Recycling is also a feature of my work, I often cut old, used clothes and incorporate the pieces into my wall hangings and other creations and more recently I also recycle coffee capsules into my works.  

www.pocsjuditstudio.hu 

Reflections and New Beginnings

Here we are in January 2021, with Covid vaccines being approved for use and hope for brighter, more normal days just over the horizon. January is traditionally a month for reflection and making plans for the future. This year more than ever and I have an additional reason to be focussed on the year ahead….. my partner has accepted a job offer from Aukland University, so we will be moving to New Zealand in March / April.

Part of me thinks, the middle of a pandemic has to be the worst time to make such a drastic move but then, is there ever a good time? At least New Zealand is one of the few countries in the world who have a managed to control the virus on their shores and, consequently, are leading a relatively normal existence.

We made the decision to move in November and have been decluttering ever since, I am horrified by how much STUFF we have accumulated in our 10 years in this house. In many ways it has been a lovely trip down memory lane, finding trinkets and photos that have languished in a cupboard or box for 10, 20, even 30+ years.

While my felt samples aren’t quite that old (the oldest might be around 10 years old) they did bring back many happy memories as I was sorting through them, trying to decide which ones to keep.

Some of them document some interesting ideas, techniques and experiments that I thought might be of interest to you too….

Colour blending techniques:

When we felt, we are encouraging the fibres to mix and mingle, so when we apply layers of wool in different colours, the colours also migrate and mix, a little bit like mixing paint. This first technique is something I try to get my bag class students to incorporate as it makes for an easy way to achieve subtle tint / tone graduation on the outside of the bag:

The front with colours yellow through burnt orange running left to right
The reverse side with black (tone) and white (tint)

The more this piece is fulled the greater the effect the black and white fibres will have on the colours on the front. By adding a mid-grey between the black and white you can achieve a more subtle change of tone to the coloured side of the felt.

Mixing different colours is also possible and this is so much fun for anyone interested in colour-theory. For this next sample I laid out 2 fine layers of different colours of merino over a green base. Up close (if you click on the image it should enlarge), you can still see the distinct colours in a random marbled pattern but from a distance the colours blend and because I have used colours on the opposite side of the colour wheel, the resulting blends are dulling the top colours and edging them towards greys and browns.

Devore

This sample was made by nuno-felting some hand-dyed cotton muslin to merino wool. Then painting on devore paste, leaving it work its magic for a few minutes before washing the paste out. The paste dissolves / etches away the plant-based fibre (cotton) but leaves the animal fibres (wool) in tact, the grey wool can be seen where the violet / red cotton has been removed.

Layering different materials / fibres

This next sample is one of my favourites although the technique is nothing particularly ground-breaking, it is strips of hand-dyed prefelt, laid over hand dyed habouti silk on a merino base.

This is the back, I really like the way the prefelts on the front have created a subtle, embossed effect on the back.

Adding locks for texture

When most of us think of adding locks to a piece, it is to add lots of fluffy texture with the locks only attached to the base felt at their base but on a workshop I took with Heidi Grebb we explored laying out locks much as you would a final layer of tops….

The bolero jacket that resulted from the “lock texture” samples.

Fake tweed

By laying different coloured yarns (ideally different weights too), it is possible to create felt that looks a lot like tweed. If you use yarns with a high wool content, they will felt into the wool base on their own. If using yarns with a higher synthetic content you will need to add a very fine layer of wool fibre over the top to help anchor the yarns into place.

Inclusions

This last sample is my favourite, perhaps I should stop calling it a sample and think of it as a mini work of art instead… It is three, silk cocoons felted between several layers of Bergschaff.

I hope you found these samples / techniques interesting, if you have any questions about them, please ask!

As part of my mammoth clear-out I have a couple of items listed on Ebay that UK residents might be interested in:

A vintage, fedora / trilby style wooden hat block: https://www.ebay.co.uk/itm/333849774234

A whole Wensleydale fleece, I am gutted to be leaving this behind but I know NZ border biosecurity will incinerate it on sight and that would be even more heart-breaking: https://www.ebay.co.uk/itm/333851163732