Author Archives: Teri

Trash-in’ The Ocean

Photograph by Jordi Chias

Last year I joined the Wey Valley Workshop, an exhibiting textile group based in west Surrey (UK). The theme for this year’s exhibition will be “re-use, recycle, re-purpose” and titled, “Adapt, Adjust, Amend”.

I have long considered myself (and most felt-makers) to be a Womble at heart, making this an ideal exhibition theme. For those who do not have childhood memories of these fictional furry beasties from the 1970’s, they were among the original recyclers, decades ahead of their time, collecting rubbish left by others and finding new uses for it. As I write this post the theme tune is running through my mind….

Underground, overground Wombling free, Wombles of Wimbledon Common are we….

Making good use of the things that we find, things that the everyday folk leave behind.

By our very nature, using wool (a waste product of sheep husbandry) as our principal material we felt-makers are already up-cycling other people’s “rubbish” but many of us also scour charity shops for unwanted fabrics and felting tools (AKA children’s toys, massage tools and kitchen equipment), old rubber mats, plastic shelf liner… the list is endless, in our pursuit of textile happiness.

For my exhibition piece I wanted to highlight the growing issue of plastic detritus in our oceans. The impact of human activity on the wildlife in our oceans is truly horrific, I have been reduced to tears time and again by they photos and videos I encountered while researching this project. The impact of plastic affects all ocean-dwelling species, from the the larger pelagic species and seabirds found dead or dying from gut obstructions (caused by swallowing plastic carrier bags) or intestinal perforations (caused by ingesting shards of plastic), to turtles and fish entangled in the plastic rings from multi-packs of drinks and discarded fishing nets, down to the tiniest crustaceans ingesting micro-plastics.

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Terrapin trapped in plastic packaging; before someone feels the need to comment I know these are fresh-water inhabitants, it serves to illustrate how rubbish in our rivers flows downstream to our oceans.

I knew I wanted to upcycle some waste plastics into my exhibition piece and that it would have an aquatic theme so I put a call out for mesh plastics on local social media sites and to the Wey Valley Workshop members, I was inundated with donations, this is just a fraction of the plastic netting I received….

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Many, many thanks to all the wonderful people who donated to this project, I will make sure they are put to good use and don’t end up in landfill.

My initial thoughts were that the netting would look like fish scales when felted into the surface but the more I pondered this exhibition piece the more I started to see possibilities in all manner of items that would normally go in the recycling bin and a few items I could rescue from the horrors of landfill. So I started collecting all manner of “rubbish” much to my other half’s bemusement. 🙂

Unusually for me, I refrained from immediately making the most complicated fish imaginable, instead sampling a wide selection of plastics, including food netting, carrier bags, drinks bottles, sweet wrappers, bread bags and the trays soft fruits are often sold in.

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The sweet wrappers were a surprise, they feel like plastic but once they were wet with warm soapy water it became apparent that they were organic in origin; they became slimy and slowly disintegrated while I was fulling the felt.

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Already impatient to stop sampling and start making, I started experimenting with different resist shapes for the fish, of course I had to start with my most complicated idea first…. ? This is a yellow box fish, made using a book-resist and strips of deep purple carrier bag between the layers of wool. He is a bit of a disaster but with a lot more work he might still make it into the exhibition.

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My next two “water babies” were a little more successful, this time using plastic mesh for surface decoration.

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I plan to add some plastic pectoral fins to this little chap.
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Close up of the plastic netting

Plastic bottles and food trays have proved useful in my attempts to replicate coral (employing a fair amount of artistic licence of course).

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I plan to colour the plastic and entwine it more evenly amongst the felt but I am mesmerised by how the shiny plastic and matt felt augment each other’s qualities.

Some of my other plastic bottles have the potential to be become jelly-fish, what do you think? Try to imagine this piece upside down with slubby yarn tentacles….

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This just the beginning for this piece of work; looking forward, I hope to incorporate crisp packets (which invariably end up in landfill) into some fish and I envisage all of these elements (and lots more, yet to be made) forming a 3D coral outcrop that could be hung from the ceiling.

Has this post struck a cord with you? Would you like to do more to lessen your personal impact on the oceans? This link contains several helpful suggestions, some of which I expect you are already doing but there may be one or two you haven’t considered yet. Please add a comment your thoughts on this topic and any novel steps you are taking to minimise your “footprint”.

Autumn is my favourite colour

I know I have said this before, but it is worth saying again :). Every year I am left in awe of the beautiful colours that mother nature brings us each October / November.

While the British deciduous woodlands make my heart sing with their beautiful yellows, oranges and chestnut browns, this year I was lucky enough to visit Japan for the first time and was blown away by the intensity of the golden yellows and crimson maples against the dark green conifers.

The FFS fourth quarter challenge is all about creating a colourscape (creating pleasing combinations of colours). It seemed an obvious step to use some of the photos from this trip as my inspiration, but what to make? Felt can be notoriously difficult to work with when you want to place complementary colours next to each other, by its very nature the fibres (and therefore colours) want to mix and mingle and of course that will lead to muddy browns and greys where the two colours meet.

A few months ago, Fiona Duthie posted a video on how to make a double-walled vessel on her course FB page (it is only open to former students of her online classes). I have been having lots of fun with this technique as it provides an excellent solution to the colour mixing problem.

This is one of the first vases I made following her video, the double-walled technique lends itself very well to placing complementary colours adjacent to each other.

Feeling inspired by the crimson and orange acers (Japanese maples), I set about planning my vessel…

First to choose the colours…. for the inner wall:

And the outer wall:

Laying out the silk and wools:

Silk hankies that will be seen on the inner layer
Wool layout for the inner layers
Wool layout for the outer layers

While felting I couldn’t help but adore the colour transitions from the inside to the outside wall:

I could have cut the leaf shapes from the outer wall free-hand but given how fiddly they are I decided to play it safe and made myself a stencil.

I used water soluble crayons to mark where I wanted to cut the felt (these are really convenient way to mark up damp felt and they wash out easily).

Once the leaf patterns had been cut away I continued to shape the vessel and heal the cut edges, et voila! It’s not quite dry yet but I think you can still get a feel for the colour combinations even though the sheen on the silk can’t be seen yet. What do you think?