Surgical Interventions on a Nudibranch

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It’s hard to believe but I started making this felted mailbox cover nearly 2 years ago. This is what it looked like in March 2023 before I started adding the gills and rhinophores (horns at the front) were added.

I took it to the Fun Felters retreat that March where we collectively stretched it over the commercial mailbox (I had fulled it too far so it took a LOT of pulling and stretching to get onto the box). It took 5 of us, all pulling on a different section to get it all the way on.

Sadly I was too busy fighting the damp nudi to take any photos but I am sure we must have looked sight 🙂

After working and shaping it I wasn’t happy with the rhinophores so I wrapped some garden wire around them and then Mr TB pointed out that they looked a lot like the red flag. Urgh, I hated to admit it but he was right, even with them pointed down they could still be mistaken for a flag by a short-sighted postie 🙁

Nudibranch mail box pre-surgery

I already knew some surgery would be needed to make the flag accessible (it was trapped under the felt) so the rhinophores were amputated at the same time – ouch!

After the rhinophores were carefully removed (leaving nasty purple wounds) an incision was made over the flag. I love how you can clearly see the layers of wool and fabric across the cut edge.

The flag was extracted and the wound closed with sutures…

Before massaging to heal the wound and minimise scarring.

Here she is, fully recovered and drying in the Auckland sunshine 🙂 Waiting for a new post to be installed that she can perch on.

No animals, not even humans, were harmed in the making of this mail box 🙂

Taking inspiration

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Where do the ideas for your felt projects come from? I find inspiration in a whole range of sources, sometimes it’s photos of flora or fauna I’ve taken on holiday or just stumbled across on the web, sometimes it is scrappy little samples from playing in the studio that spark an idea for a bigger project and sometimes it’s other artists’ work.

Potters are a favourite source for this last group, as a part-time potter myself I am probably exposed to other potters work more than most and I love the technical challenge of thinking how my favourite shapes and forms made in clay can be translated into a completely different medium like wet felt.

My interest was piqued by a post in the Sculptural Wet Felting group on Facebook (if you aren’t a member I recommend joining, there are some very clever people doing amazing things with felt in there!). The post introduced Ursula Morley Price’s incredible ceramic artworks, her name is definitely worth Googling and her incredible work appears to be for sale in galleries all over the world.

The post on FB set us a challenge, to interpret Ursula’s work in wet felt…. Challenge accepted!

Labour weekend was the second of our annual Auckland Fun Felter’s retreats, my (probably overly-ambitious) plans to make a 2 storey cat cave and a felted origami footstool were pushed aside so I could play with felted “fins” instead.

I confess, I had made similar pieces in felt before, these I called my “flappy vessels”. Most have been sold or gifted but I still have these two, my “helter-skelter vessel”:

and a hanging light:

But seeing Ursula’s work inspired me to go all-out adding fins to my “vessels”.

The first attempt was a hat, using my current favourite “Dragon’s Breath” merino and silk blend:

It reminds me of an erupting volcano, it doesn’t have a name yet but my thoughts are headed in that direction. Any ideas for a name?

I was pleased with how the hat turned out so set myself an extra challenge of making a vessel that could stand aloft on its fins, I think this one will be called “levitate”:

I am tempted to trim some more of the base fins so it is left standing on just a handful and make it appear more like it is floating.

Are you feeling inspired? I’d love to see what you create!