Finding Mojo – Creativity in Lockdown

Before we begin….I really hope you and your loved ones are safe and well, but if you are grieving for a loved one who lost their battle with Covid19, I am truly sorry for your loss, I can’t begin to imagine the pain of losing a loved one when you cannot be there to comfort them. Please don’t think for a moment that in this post I am comparing the anxiety many people are feeling and my own journey through this crisis in any way to the combination of grief and anxiety you are experiencing. My heart goes out to you.

Overwhelmed and impotent

We are just over 3 weeks into lockdown (in the UK) and the days have long since become indistinguishable from each other, some days drifting laboriously on, while for others (if I avoid the news) I can convince myself I am holiday and happily while away the day reading and pottering in the garden. I have lost all sense of time, what day of the week is this? Or what month!? Are you feeling the same?

Social media seems to be full of people enthusiastically telling us we need to use this time productively but, quite frankly, a lot of people, myself included, are just too exhausted from anxiety and worry to…. overhaul my website / clean the house from top to bottom / landscape the garden / make all my stock for Christmas *

*insert that overwhelming project that glares accusingly at you from your to-do list.

I know most of these people mean well but their posts really only serve to make me feel even more inadequate and impotent than this crisis already has. If this resonates with you, try to ignore them, mentally file these posts with the fake news and scam posts, they really aren’t worth your attention or energy.

I realised early on that my creative mojo was burrowing further and further into hiding the more my anxiety increased; the more anxious I felt (for myself, my loved ones and friends still working on the frontline), the harder it was to find that creative spark we all rely on. It took me a few days to realise this but just by limiting my access to the news to once a day and only grocery shopping once every 3 weeks I can (mostly) control my anxiety. Have you found a coping strategy? Did you lose your creative mojo too?

To begin with I couldn’t even face the prospect of starting a felt project, all the ideas usually overcrowding my tiny brain had flown away. So I set myself some quite mindless tasks, more to keep busy and distracted than with a goal in mind.

  • Tidying and organising the “wool room” (don’t be fooled by the name, like you, I have wool and other fibres stashed in EVERY room, but this room has almost nothing but wool and felting kit in it)
  • Painting colour charts for my watercolour paints (something I have wanted to do for a long time but never found time for)
  • Baking (if this keeps up, I will be too wide to fit through my front door by the time we are allowed out again)
A colour chart from my watercolour sketchbook

Then Fiona Duthie threw down a felting gauntlet…..

Those of you that have taken one of Fiona Duthie’s online classes will know about her “alumni” Facebook page, on there she posted a “coronavirus challenge” on the theme, “Separate Yet Connected”.

I have taken part in one of Fiona’s previous challenges (you can see the publication here) and really enjoyed it, especially reading about how everyone else had interpreted the same theme in such varied ways.

But I was filled with nagging doubts, could I come up with an idea and be inspired enough to see it through? I really wasn’t sure. I went back to baking…. and comfort eating…..

A little known piece of personal history for you… I studied coronaviruses for my PhD. It was a long time ago (early 2000’s) but I still feel personally connected to this virus despite the havoc and devastation it is inflicting on us all. This connection and a desire to turn the fear and anxiety into something positive, or at least constructive, kept bringing my thoughts back to Fiona’s challenge but what could I make?

The name corona-virus, comes from a very fuzzy electron micrograph image of crystalised coronavirus particles that show a crown (corona) of spike proteins protruding from the virus envelope.

Coronavirus - Wikipedia
Not as pretty as all the whizzy computer-generated images the media are bombarding us with today but I see a simple organic elegance in these decades old images

It was this micrograph that inspired a scruffy self portrait I drew a couple of years ago, where I applied the corona of spike particles to my portrait.

If you are wondering about my bizarre colour choices, they too were inspired by my PhD, I did a lot of confocal microscopy work that used fluorescent markers to highlight different cellular structures and virus proteins (even as a scientist colour was still a very important element in my work!).

Confocal micrographs from my thesis

Those who know me, know my favourite felt practice is sculpted, 3 dimensional wet-felting. It seemed like a natural step to translate the self portrait into a series of 3D faces.

This is the prototype of the “masks” being laid out
… and with the shaping begun but far from finished

I applied quite a lot of silk to the “spike proteins” expecting them to add a dash of colour but the fuzzy nature of Black Welsh wool has all but engulfed them

My plan is to make a series of “masks” with different ethnicities to reflect the global impact and arrange them as a wall hanging.

I will post an update as this project progresses but in the meantime please be kind to yourself as well as those around you, this situation and the feelings that accompany it is alien for almost all of us but we will get through it.

Stay safe, stay home.

Trash-in’ The Ocean

Photograph by Jordi Chias

Last year I joined the Wey Valley Workshop, an exhibiting textile group based in west Surrey (UK). The theme for this year’s exhibition will be “re-use, recycle, re-purpose” and titled, “Adapt, Adjust, Amend”.

I have long considered myself (and most felt-makers) to be a Womble at heart, making this an ideal exhibition theme. For those who do not have childhood memories of these fictional furry beasties from the 1970’s, they were among the original recyclers, decades ahead of their time, collecting rubbish left by others and finding new uses for it. As I write this post the theme tune is running through my mind….

Underground, overground Wombling free, Wombles of Wimbledon Common are we….

Making good use of the things that we find, things that the everyday folk leave behind.

By our very nature, using wool (a waste product of sheep husbandry) as our principal material we felt-makers are already up-cycling other people’s “rubbish” but many of us also scour charity shops for unwanted fabrics and felting tools (AKA children’s toys, massage tools and kitchen equipment), old rubber mats, plastic shelf liner… the list is endless, in our pursuit of textile happiness.

For my exhibition piece I wanted to highlight the growing issue of plastic detritus in our oceans. The impact of human activity on the wildlife in our oceans is truly horrific, I have been reduced to tears time and again by they photos and videos I encountered while researching this project. The impact of plastic affects all ocean-dwelling species, from the the larger pelagic species and seabirds found dead or dying from gut obstructions (caused by swallowing plastic carrier bags) or intestinal perforations (caused by ingesting shards of plastic), to turtles and fish entangled in the plastic rings from multi-packs of drinks and discarded fishing nets, down to the tiniest crustaceans ingesting micro-plastics.

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Terrapin trapped in plastic packaging; before someone feels the need to comment I know these are fresh-water inhabitants, it serves to illustrate how rubbish in our rivers flows downstream to our oceans.

I knew I wanted to upcycle some waste plastics into my exhibition piece and that it would have an aquatic theme so I put a call out for mesh plastics on local social media sites and to the Wey Valley Workshop members, I was inundated with donations, this is just a fraction of the plastic netting I received….

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Many, many thanks to all the wonderful people who donated to this project, I will make sure they are put to good use and don’t end up in landfill.

My initial thoughts were that the netting would look like fish scales when felted into the surface but the more I pondered this exhibition piece the more I started to see possibilities in all manner of items that would normally go in the recycling bin and a few items I could rescue from the horrors of landfill. So I started collecting all manner of “rubbish” much to my other half’s bemusement. 🙂

Unusually for me, I refrained from immediately making the most complicated fish imaginable, instead sampling a wide selection of plastics, including food netting, carrier bags, drinks bottles, sweet wrappers, bread bags and the trays soft fruits are often sold in.

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The sweet wrappers were a surprise, they feel like plastic but once they were wet with warm soapy water it became apparent that they were organic in origin; they became slimy and slowly disintegrated while I was fulling the felt.

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Already impatient to stop sampling and start making, I started experimenting with different resist shapes for the fish, of course I had to start with my most complicated idea first…. ? This is a yellow box fish, made using a book-resist and strips of deep purple carrier bag between the layers of wool. He is a bit of a disaster but with a lot more work he might still make it into the exhibition.

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My next two “water babies” were a little more successful, this time using plastic mesh for surface decoration.

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I plan to add some plastic pectoral fins to this little chap.
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Close up of the plastic netting

Plastic bottles and food trays have proved useful in my attempts to replicate coral (employing a fair amount of artistic licence of course).

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I plan to colour the plastic and entwine it more evenly amongst the felt but I am mesmerised by how the shiny plastic and matt felt augment each other’s qualities.

Some of my other plastic bottles have the potential to be become jelly-fish, what do you think? Try to imagine this piece upside down with slubby yarn tentacles….

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This just the beginning for this piece of work; looking forward, I hope to incorporate crisp packets (which invariably end up in landfill) into some fish and I envisage all of these elements (and lots more, yet to be made) forming a 3D coral outcrop that could be hung from the ceiling.

Has this post struck a cord with you? Would you like to do more to lessen your personal impact on the oceans? This link contains several helpful suggestions, some of which I expect you are already doing but there may be one or two you haven’t considered yet. Please add a comment your thoughts on this topic and any novel steps you are taking to minimise your “footprint”.