Open Studio

The last few weeks have been a bit of a blur, the end of May was spent preparing for my inaugral participation in this event and the the first two weeks of June were the open studio event itself. It has been hard work but a lot of fun, meeting new people and sharing the magic of felt-making with them.

I confess, I have been thinking of hosting an open studio for several years but had plenty of excuses not to, the main one being that I usually work in my kitchen and dining room, not very practical spaces for hanging / displaying work and not really fair on Mr TB to have strangers milling about while he is trying to relax after a busy week at work.

I did consider using the garage but it isn’t a very pretty space (breeze-block walls) and where would I put all the stuff currently stored in there? Although if I am honest I think most of it should go on Freecycle or to the municipal dump. This year I had a bit of a brainwave, we live in a bungalow and have a guest bedroom at the front of the house, what if I put the guest bed in the garage for a couple of weeks?

The space worked better than I had dared to imagine, the mirrored doors on the wardrobes made the room feel large and airy and there was just enough wall space for most of my ready-to-hang pieces.

It was just large enough to demonstrate felt-making but I was rather ambitious to think I could squeeze up to four students in there for workshops, as it turned out I managed to arrange it so I never had more than one student at a time. As always seems to be the way, in the excitement of completing each case I completely forgot to take photos of their work but since I was teaching 1 to 1, I ended up making a case of my own alongside them, these are what I produced…

I made a short video tour of my “studio”, please come in….

What did I learn from this event?

  • Allow yourself at least couple of weeks to prepare the studio, price your work, tidy the front garden / drive and redecorate / move furniture if necessary.
  • Have a visitor’s book to collect emails so you can stay in touch with your new contacts. The open studio event is an excellent way to meet new people with a shared interest. I was surprised by the number of people who returned with a friend a few days later to show them what they had found.
  • It took me a good hour to put out the signs, blow up balloons etc each morning, don’t under-estimate how long it will take. At least half of my visitors said they were just passing and saw the signs, they are really important!
  • Most people paid by cash (and even had the right change) but I would have lost a couple of sales if I didn’t have a card reader.
  • A friend told me she sells a lot of greeting cards at these events – that was a good tip, I had some professionally printed and it offered visitors the opportunity to support my work even if they did not have a lot of money to spare.

What will I do differently next time?

  • I will bake some of my world famous chocolate brownies as little treats for my guests (if that isn’t incentive to get on a plane to visit me, I don’t know what is! 🙂 ).
  • Be patient, most of my sales came in the last 2 days of the event.
  • If I wasn’t running the event from my home, I would not open on a Wednesday, the footfall on Wednesdays was very low.
  • I will allow longer for the teaching sessions, it always takes longer than you expect doesn’t it?

I hope I have inspired you to take the plunge and participate in your local open studio event, I have met so many wonderful people, from other artists participating in the event, to new and potential clients and some potential teaching opportunities.

I had better get on with moving the bed back into the bedroom, Mr TB is already eyeing the room suspiciously, thinking I have commandeered yet another “wool room”, what he doesn’t realise is that I have felting / textile paraphernalia stashed in EVERY room, but we will keep that to ourselves 😉

Adventurous Drawing and Colour with Mark Cazalet

I feel blessed to have spent the bank holiday weekend drawing in the beautiful landscapes around West Dean in  glorious sunshine. Mark Cazalet was an excellent tutor, I signed up for this course hoping to come away using colour in a more considered way and he did not disappoint. He set us a number of exercises over the 3 days including using cool colours on warm grounds (papers) and vice versa, exploring the effects of black versus cream grounds and seeing the colours around us in a much less literal way.

The first drawing was made in the gardens, Mark suggested I redraw it from my original drawing without looking at the source.

 

It is interesting how the colours are so much more vibrant…

 

This one was a 10 minute sketch, playing with different colours to give and impression of depth, light and shade:

 

This drawing was exploring the combination of warm and cool colours together on a neutral ground:

 

I had 10 minutes before we were expected to pack up and return to the studio so I did this one just for fun:

We were asked to create some sketches of abstract forms  from what we saw in the gardens, from those I repeated the same design several times on different coloured grounds, it is curious how the colour of the paper has such a an impact on the feel and tone of the drawing.

 

 

These last two drawings are my least favourite but it was an interesting exercise, the first was warm colours on a cool ground:

And cool colours on a warm ground:

 

Now it is back to work for me! Enrolment for the new online felted bag class closes on the 22nd and the class starts in earnest on the 25th, I am still doing the final edits on the tutorials while trying to prepare for the Surrey Open Studios event beginning on June 2nd it is going to be a busy few weeks but both are projects I am really excited to be taking part in, if you would like to join in the fun please follow these links:

Felted bags online class: link

Surrey Open Studios: link