Category Archives: felt picture

Where has the time gone?

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Gosh, I can’t believe it has been 3 weeks since I last posted. It has been a hectic few weeks of working on my City and Guilds assignments and chasing my own tail.

Here are some of the C&G things I have been up to as part of my Artybird course.

Do you recall the “Alien Signpost” piece I started a couple of months back? After much debate (no two people had the same idea about how I should cut it or hang it) I settled on the portrait version with the “torn paper” edge along the bottom.

It is a large piece (173 x 92cm / 5’8″ x 3′) that I think would look fantastic in a stairwell (shame I live in a bungalow).

I’m really pleased with how this piece turned out even though the integral hanging sleeve is in the wrong orientation! Note to self: don’t bother with integral hanging sleeves on abstract pieces, you’re always going to want to hang it on a different edge to the one you have planned! 😉

More recently I have been working on an assignment based on John Constable’s Cloud Studies. I confess I hadn’t appreciated just how prolific a painter he was, many of them are described as sketches but still stunning in their own right. Our assignment was to prepare some pastel drawings on different coloured backgrounds and then use those colours to make felt samples.

These are my pastel sketches.

 Dark blue paper

Light blue paper

Brown paper

All these sketches were derived from the same Constable painting but each has a very different feel, I think the middle one feels like the skies are clearing after a storm and has a freshness about it, while the other 2 feel like the storm is still building.

I was also very drawn to a painting of cirrus clouds, I just love the sense of movement and direction the white lines give this sketch.

And these are the pieces interpreted into felt, firstly with Norwegian wool:

And merino:

Next time – I revert back to my childhood and use wax crayons…

Alien Invasion Part 2

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I finally plucked up the courage to work on my monster “alien signpost” piece again, needle felting some details into the surface and fulling it. It spent yesterday blocked on some children’s play mats and drying in the lovely weather we have had this weekend. I blocked it face down to ensure the face was not distorted by the hanging sleeve on the back. This is what it looks like now:

When I started it my plan was to make it into a triptych and trim the edges, hence they are more untidy than ususal but now I looking at it and think I like the wavy edges with the bars of prefelt “threatening” the escape the frame.
It is still an enormous 1.9m x 1m (6′ x 3′)  despite being quite firmly fulled (I don’t want to full it any further for risk of losing the details and muting the colours).
I also quite like it in the other orientation, I especially like the wavy edge at the bottom, it reminds me of ripped paper…

If I trim it, I expect it to look something like this:

And as a triptych –
Version 1 landscape:

Triptych version 1 portrait:

Triptych version 2 landscape:

Triptych version 2 portrait:

I am racked with indecision about where to go with this piece. What do you think? Do you prefer the portrait or landscape orientation? Which of the triptychs is most aesthetically pleasing? Or should I scrap the triptych idea altogether and revel in the torn paper effect?