This may seem like a rather philosophical title for a textile art blog but please bear with me, I wanted to share a new direction and body of work with you.
These thoughts and ideas have been slowly percolating through the recesses of my mind for about 20 years, since a fairly heated debate with a psychology teacher on whether humans are the only animals who possess cognitive abilities (perception, attention, memory, motor skills, language/communication and visual/spatial processing). She quite vehemently argued that only humans possess all of these skills, I was a veterinary nurse at the time and forcefully argued the opposite, taking it further and arguing that animals also feel emotions too.
This debate was recalled during a trip to India in January 2018 and a visit to a Jain temple. The Jains have an intriguing philosophy and what struck me most about the monks was the extreme lengths they go to in order to preserve and protect all life, they believe every animal is sentient and as such, must not be harmed by their actions (either directly or indirectly). Their vows of non-violence make them the ultimate pacifists, a stance which I thoroughly admire but have to admit have no hope of ever attaining. They are strict vegetarians and do not eat after sunset for fear of accidentally eating an insect on their food, and the monks pluck out all their head hair rather than shaving it so as not to harm any lice that might be residing there.
While sentience is essentially another word for consciousness and it is relatively easy to argue that most animals, even the smallest, are “conscious” on at least some level, even if it is just awareness of food sources and potential mates. The idea that all creatures are sentient rekindled my thoughts about the cognitive processes and expression of emotions in animals.
I knew I wanted to explore this idea from a creative perspective but was unsure where to start. Researching colour theory revealed a wealth of information about our emotional responses to different colours and this led me to play a game of “abstract word-association”; starting with a one or two words that described an emotion I worked on small squares of water colour paper, trying to express that emotion with just colour and mark making, these are some of the results:
These little sketches were surprisingly cathartic to make, if you or someone you know is going through a challenging time and finding it difficult to talk about how they are feeling, asking them to illustrate, in an abstract way, a series of emotions (both positive and negative) from a list of words may be helpful.
Taking Gladys Paulus’ mask workshop earlier this year has given this topic and my approach to it, a whole new lease of life, no longer confined to 2D work, I have been having a ball making various animal sculptures, each expressing their own emotion. As each new personality takes shape on my work bench I am finding myself creating whole backstories for them.
I am thrilled to introduce you to 2 new, very special friends:
“Laughing Lionel”
While the king of the beasts has a fearsome reputation, Lionel is really a very gentle, affable soul who likes nothing more than a good chortle at the ridiculous things humans do.
“Indignant Margo”
She isn’t quite finished, but will be a wall-mounted sculpture like Lionel when she is.
Margo is an old soul in a young body, she takes offence at almost everything and wears a permanent look of indignation on her face. She believes her purple spots are a sign that she is descended from aristocracy and therefore everyone is beneath her; if anyone is going to look down their nose at you, it should be the tallest of the beasts!
These two sculptures (and hopefully one or two more if can finish them in time) will be on display at the Art Box exhibition, at Denbies Wine Estate, Dorking RH5 6AA, UK, between September 23rd and 29th. If you are in the area please pop in and say hello, it is a beautiful place to visit and entry to the exhibition (with artworks in a range of media from 8 independent artists) is free.
Which animal and emotion would you like to see paired together?
Do you think I am anthropomorphising (applying human characteristics) the animal kingdom, or do you agree, animals do feel and express emotions, and perhaps some humans are too ignorant to understand when the animals around us try to communicate these emotions?
