wet felt | Teri Berry Textiles

It’s been a busy week but my challenge piece is finally finished! 🙂

Since my last post I added some embroidery to sharpen up the edges of the orange prefelts. First I had to choose some threads, I’m a big fan of the Gutterman Sulky threads for machine embroidery, they are reliably strong and have a lovely sheen that looks wonderful next to felt.

I started with the orange stripes in the top left quadrant.

I’m really pleased with the colour blending of the threads and the beautiful 3D effect you get from this style of stitching on felt.

Of course, it’s impossible to stop at one small area when you start with free motion embroidery….

When I went to bed it looked like this:

When I woke up this morning I looked at it again and took it back to the sewing machine – spot the differences….

I have been planning to hang this piece on stretcher bars from the start. Most of my felt hangings are sturdy enough to stretch directly over the frame but this one is a bit finer, it might be alright but I don’t think it is worth risking it stretching and sagging in the middle so I hand stitched some poplin cotton to the back for extra support.

Before stretching it over the bars ready for hanging:
Finally some close ups from the finished hanging:

Gosh, I can’t believe it has been 3 weeks since I last posted. It has been a hectic few weeks of working on my City and Guilds assignments and chasing my own tail.

Here are some of the C&G things I have been up to as part of my Artybird course.

Do you recall the “Alien Signpost” piece I started a couple of months back? After much debate (no two people had the same idea about how I should cut it or hang it) I settled on the portrait version with the “torn paper” edge along the bottom.

It is a large piece (173 x 92cm / 5’8″ x 3′) that I think would look fantastic in a stairwell (shame I live in a bungalow).

I’m really pleased with how this piece turned out even though the integral hanging sleeve is in the wrong orientation! Note to self: don’t bother with integral hanging sleeves on abstract pieces, you’re always going to want to hang it on a different edge to the one you have planned! 😉

More recently I have been working on an assignment based on John Constable’s Cloud Studies. I confess I hadn’t appreciated just how prolific a painter he was, many of them are described as sketches but still stunning in their own right. Our assignment was to prepare some pastel drawings on different coloured backgrounds and then use those colours to make felt samples.

These are my pastel sketches.

Dark blue paper

Light blue paper

Brown paper

All these sketches were derived from the same Constable painting but each has a very different feel, I think the middle one feels like the skies are clearing after a storm and has a freshness about it, while the other 2 feel like the storm is still building.

I was also very drawn to a painting of cirrus clouds, I just love the sense of movement and direction the white lines give this sketch.